Ron Holthuysen, Scientific Art, Inc.
Moss Landing Marine Labs Seminar Series - September 20th, 2018
Hosted by the Phycology Lab
MLML Seminar Room, 4pm
Open to the public
In 1980, Ron Holthuysen founded Scientific Art Studio. After teaching, biology, chemistry and physics for a few years, he decided to follow his desire to create natural history exhibits. There was not really a job in which he could explore and combine his interests in taxidermy, wild life photography, film, design, history, paleontology, geology, sculpture, painting, engineering, teaching and be an inventor all at the same time. Ron has always had the need to involve himself in a wide range of fields, and to challenge himself with interesting projects. The result is Scientific Art Studio as it is now.
During the last 35 years, under the name of Scientific Art Studio He has been able to take on and, mostly to great satisfaction of his clients, finalize projects of a very wide variety. From Natural History exhibits to special effects for motion pictures and television, from Museum taxidermy to mechanical costumes for a Las Vegas show, from the restoration of artifacts to the design of rock show stages, and much more. The source of his inspiration and the focus of his interest has been always Nature in its broadest embrace. It gives Ron great satisfaction to reconstruct extinct animals and plants, to work with scientific specialists and to dabble in whatever draws his attention.
Scientific Art or Artistic Science ?
The initial reaction of members of the Scientific World and of the Art World often is to distance themselves from one another’s realm of interest.
Science:
A world of exactness and no fuzzy, artsy stuff.
Rigid discipline.
Art:
Seeking for the absolute freedom of self expression.
No restraints.
Absolute separate worlds, right ?
Think again or better: Look , listen, smell and feel again.
Science and Art are, in my opinion, co-dependent siblings.
Both realms study and investigate and interpret the world we live in.
This talk features the some of the visualizations and interpretations of our world through Scientific Art (or Artistic Science)



Nancy is a Virginia native with a B.S in Marine Biology with an emphasis in aquaculture and chemistry. Early in her career, Nancy worked in the aquaculture industry and for a local public aquarium. Wanting to do more conservation work within her community, Nancy left the aquarium to build a program to restore Orange County, California’s decimated kelp forests. With help from magazine and newspaper articles, as well a television and radio, Nancy has helped to bring the message of the importance of kelp forests along our coast to millions. The Orange County Ocean Restoration Project has taught 5000 students how to grow giant kelp in their classrooms that was planted in the ocean by 250 trained volunteers and now there are giant kelp forests in areas that had been barren for more than 25 years. To continue her work, Nancy started a nonprofit organization called 



Dr. Blackwell has been working with large marine vertebrates for nearly 30 years - northern and southern elephant seals, Baltic grey seals, albacore tuna, Atlantic and Pacific bluefin tuna, bowhead whales, and narwhals, to name a few. In the early stages of her career she was involved in the design and manufacture of several types of seal data loggers, recording parameters such as depth, temperature, heart rate, swim speed, activity levels, and bioluminescence. She joined Greeneridge in May 2000 and has since collected and analyzed acoustic data on man-made sounds, such as those produced by impact and vibratory pile-driving, airgun pulses, and numerous construction activities, to assess their range and impact on marine vertebrates, mostly marine mammals. More recently she has combined these two interests—in collecting data using tags and in assessing the effects of man-made sounds on marine animals—to examine how East Greenland narwhals react to sounds from airgun pulses, which are used the world over in seismic exploration for oil and gas. She is the lead author of 12 refereed journal articles and a co-author in 31 others. She is a member of the Acoustical Society of America (and a Fellow since 2008), the Society for Marine Mammalogy, and Sigma Xi (National Society for Scientific Research).